Tuesday, April 29, 2014

Myth Story Quests rendered into Chapter Quests: The Stone Of Life

These cards are based on the Myth Story Quest "The Stone Of Life". I broke that quest out into Chapters, worked up necessary clarifications and revisions for things that didn't work so well in the original, and altered the flavor text to better match the "Adventurers telling a story of their exploits at a tavern" theme. I used Tom Howard's card template to make these, and went with his "S" designation so they'd match the remixes he'd done of my cards from The Mad King. I think from a rules perspective they'd be clearer with a big "C" in the corner instead, but this is one case where consistency is at least as important as accuracy.

That said, I moved the rules and rewards for success down into the resolution area where the flavor text for success lived. Likewise, I moved the rules and consequences for failure down to where the flavor text for failure resides. All of it's below the "Resolution" label. I've found that when we complete a quest, we immediately read the reward section, and then get distracted by whatever decks or tokens that involves, and often forget to return to the bottom of the card to read the color narration of what just happened. My hope is that consolidating all of this into one area will make it harder to forget.

To use these new cards you would shuffle "Arrival At River Falls" and "By Emberweave's Campfire" into your Quest Deck. Between the various forums where I posted my earlier work, I've had a number of questions about how to use these cards, so this time I was very precise on the card itself about where each Chain gets put in the deck.

The original "The Stone Of Life" quest has a weird disjointed structure. The second act is confusing, and feels like it's almost a different story. I had to read it all a couple times to figure out what the heck was actually going on.  To address that, I broke that second Act out as its own unit, a single Chapter Quest that can be played on its own. That meant the main line of the quest was now about 50% shorter. To compensate, I added a few extra monsters and some sterner pass/fail conditions to the chapters, plus a mandatory Quest Deck shuffle in the middle. Essentially, it will play out as 3 Chapter Quest chains rather than a single Story, and you can only get the Title by completing the first and third Chain series.

I might still revise this campfire quest a little. For one thing, I was uncertain whether I should give it a "C" or "S" designator. More importantly, I think the second reward line as written is more complicated than it needs to be. It'd be better if it was "search the Quest Deck for any Quest Card and put it on top of the deck", and if I struck the River Falls reference entirely. The result would be a stand-alone Chapter that lets you hunt for any Story or Chain you wanted, which would actually be pretty cool.

Jewel In The Water is extrapolated from the 1st Act of the original, but adds 4 extra Crawlers. It's a speed bump, mainly here to make sure the Heroes encounter enough Tiles to really earn the Title at the end of the Story.

I moved the two "Remove a White Token from the Treasure Bag" rewards of this Act ahead to this and the Arrival quest, so you'll still feel some small benefit if you call it a night in the middle of the chain.

Pete's Cell is as faithful an adaptation as I could make of the original without dictating a specific Tile.  It's  possible to recreate the original with terrain bits where the doors had been, or you can let your creativity go wild and create a unique makeshift prison for Pete.

The Resolution flavor text here is heavily influenced by the weird Act Two of the original, which I removed to be it's own sidequest (see "By Emberweave's Campfire", above). I nearly just cut that Act out entirely, but decided that made the story too short, and thus the Title too easy to acquire. While it's still a little short now, the mandatory shuffle on this card prevents you from just blitzing through the Quest. Chances are you'll have to accomplish it in non-consecutive segments.

After the shuffle, you'll probably encounter plenty of other quests before ending up back in the River Fall vicinity. This card is basically picking back up with what had been Act Three of the original.

In the rulebook, Yardu's plan is a terribly unclear, and is the only hint in the core game that the the various Darkness villains may sometimes have competing agendas. That ambiguity, plus Emberweave's obvious efforts against the cult (see next card) provoked the idea that maybe he's just an illusion of Yardu.

There was a chance that you'd get this card as the first draw of a new adventure, with very little equipment and thus no real shot at winning. So I built in a safety valve to compensate. If Yardu clobbers you, you don't actually suffer any consequences other than having this specific Quest Chain be further delayed.  "By Emberweave's Campfire" is also shuffled back in to further reinforce the notion that he's meddling in your lives, and that "all of this has happened before, and all of it will happen again." Frakkin' toaster. :)

This and the next few Tiles were very tricky to convert into Chapter Quests, because there's a number of complicated rules that apply to all of them and they have very precise placement in the original. To save space, I presented the rules only where needed instead of laying out the big picture on every card.

Failure on this card doesn't stop you from completing the main quest, but does raise the difficulty. In the original you technically couldn't fail and could take all the time you wanted, so when I added a failure condition I slipped in a bonus treasure drop to compensate.

Failure here can shut you down completely, so I included a "save point". :) That is to say, if fail here you can eventually pick it back up here and not have to backtrack to previous cards. Hard to say if that's actually beneficial to the Heroes or not.

You'll see on the final card that I also made some minor changes to how the Triggers and Runes work for the sake of brevity and clarity, but the end result has exactly the same completion odds as the original, provided you place exactly two lairs on the "Fire-Weaver's Beacons" Tile and concentrate your Triggers on a single character.  I built in mechanisms to allow players to customize that experience, and thereby make the scenario a little easier or harder as they see fit.

The last card can give you the Title while the T1kL is still on the map, which is a strong advantage to the players. To keep that "on the level", I tied the Trigger Tokens to each Hero's personal inventory. The challenge level of the quest itself has overall gone up slightly, but then adjusts itself down to below the original's level of complexity if Heroes start falling in battle. I'm pretty pleased with the elegant way that works here.

I added a couple serendipity to the success entry, so that if the Players press on after the big fight is over they'll be more likely to afford resurrecting fallen comrades. One response I heard when I did this on a different quest was that clever players might use it to immediately summon Talek Three Dunes and buy an item to save with their new Title. I'm really not worried about that, since Talek only carries green items. If you're so under-equipped that a random green item purchase is actually worth saving after defeating a Boss, then you definitely earned the Title you just fought for.

Monday, April 28, 2014

Mad Hermit Remixed

Progression of an idea:
  • Mercs/MegaCon Games made some Story Quests for Myth, including "The Mad King" all about this guy The Hermit King.
  • I converted the quest into Chapter Quest format to allow more flexibility.
  • Justin N over at Board Game Geek had the awesome idea of changing the flavor text on Myth's various quest cards to better reflect the "adventurer's telling a story in a bar" element of the game's setting. Link to his text.
  • Tom Howard at Board Game Geek made a lovely full-bleed photoshop layout that more faithfully recreates the original Mercs card frames. Link.
  • Then Tom ported over my version of the quest cards into his new format, and converted the flavor text to match Justin N's "bar boast" version. It was way cool of him to do so, and the results are awesome:

The end product:

Pretty nice, huh? I'm really pleased with the results.

It was admittedly a tiny bit shocking visiting BGG and discovering that something I planned to do this very afternoon had already been done, but the final version looks sweet and he saved me a lot of work swapping to the "tavern story" versions of the flavor text. That's certainly worth the tiny bit of Geek Gold that I'm missing out on for someone else posting them (and it's not like I'd gotten around to it yet).  These are _vastly_ superior to my rough drafts. Thank you, Tom!

Saturday, April 26, 2014

Infinite Darkness Loop

Played some more Myth last night, and ran into a weird spot where two different instructions from the FAQ resulted in a not technically infinite (but functionally very close) loop, that became a rather painful TPK.

Myth FAQ, Page 7:
What happens if you need to spawn monsters but have no more minis?
Players can use proxies for any additional minis that spawn. Additional Minion Packs will be made available in the future. If players do not want to purchase additional minis or use proxies, they can implement the rule: For every two models that can’t be placed for any reason, increase the Darkness Meter by 1.
Myth FAQ, Page 9:
In the quest Drums of the World, the card text says: “The Heroes must kill the Mucker to stop the drumming. Roll 5 b” When are these Fate Dice rolled? 
This is done at the start of each Darkness Cycle. If any duplicates are rolled, treat them as if they are only 1 of the corresponding result.
We started our Act with a 12x12 board. That size board has a Quest and a Lair. The Quest we drew was Drums of the Wold, which places a large orc hunting pack on the board, plus an orc captain who has a set of magic drums. Since there's already orcs from that card, we made the thematic choice of having an orc lair.

In the first two Hero Cycles we were unable to kill the captain with the drums. He was surrounded by minions, tucked behind a red-bordered terrain feature, and Captains aren't really all that dangerous in the game. So we buffed and positioned and loaded our quivers and hid in shadows and refreshed our hand once. What a mistake.

None of us had snapped to the math of the situation, so we didn't realize that in order to survive we absolutely had to kill him before the first Darkness Cycle could happen.

Every single Darkness Cycle, the orc captain rolls 5 Fate Dice, consulting this little chart. For the benefit of those who haven't played Myth, I'm translating these into normal d6's:
  1. Monsters get stronger.
  2. 4 monsters spawn.
  3. The next darkness cycle happens nearly twice as soon as normal.
  4. Monsters get faster.
  5. 4 other monsters spawn.
  6. The monster-captain who's rolling these dice is harder to kill.
Then the Darkness card itself almost always spawns at least 4 more orcs (3 normal, +1 because there's an orc captain in play) at the end of the Darkness cycle, sometimes more than that.  So if 5d6 turned up at least one "2" and one "5", there would be a minimum of 12 monsters spawning that turn. Of the two monster types the drums could spawn, the base game comes with 15 of one (orc minions), and 9 of the other (specifically the melee-version of the arachnid minion). So if you roll both of those "spawn more monsters" results when all the minis are already in play, the Darkness meter advances by (12/2=) 6... which is exactly what it takes to trigger another Darkness Cycle.

That meant every bad guy on the board took 6 turns in a row, which was enough for them to kill 3 of the 4 Heroes, before finally getting a "bad" roll that left the Darkness Meter on space 5 (of 6). Sadly, the only surviving Hero had 3 cards in her Action slots and nothing else good in her hand. So she had no choice but to refresh her hand, and the Darkness Meter automatically advances one per monster type during the refresh phase. So the bad guys immediately took two more back to back turns, killing the final PC. They technically triggered a third Darkness Cycle before they were done, but it didn't matter since we were all dead.

Curious what would have happened if we'd used proxies instead, we immediately reset the board and got out a bunch of green legos to be proxy-orcs. I wouldn't call it an easy fight, and the Soldier and the Acolyte both nudged up to 9 Threat before it was over, but we triumphed without losing a character.

I'm not yet certain if the fault lies in the alternative-to-proxies rule, or in the Quest we played, but either way something smells rotten in FAQmark.

Myth Story Quests rendered into Chapter Quests: No Rest For The Weary

Continuing on from my previous posts, here's a conversion of Myth's Story Quest #1: "No Rest For The Weary" into a Chapter Quest Chain.

Again, as with the previous posts, the following House Rules are recommended when trying to use these cards:
House Rule #1:  At the end of every third session, the players receive a Deck Manipulation reward.  When this happens, items are reset to their starting (brown) equipment for each character, but you can save 1 item + 1 per earned Title. Serendipity and gold are reset to zero at this time as well.

Addendum to House Rule #1: If the Heroes ended the third session while still in the middle of a Quest Chain, they may choose to delay the Deck Manipulation and item reset until the end of the session in which they complete that chain. Further Deck Manipulation rewards do NOT accumulate while you are delaying one.

House Rule #2: When you complete a chain Quest that directs you to add a new chain to the Quest Deck, you may choose to either place that card on top of the deck, or to shuffle it into the deck. If the last Quest of a session tells you to add a new chain to the Quest deck, you may make the decision at the start of the next session.

With those in play, you can incorporate the cards below into Myth's "Free-Questing" mode.

Throughout this chain (and some of my other Quests) I list Resolution instructions and flavor text for failure even if there's no explicit Failure condition. I feel a TPK (Total Party Kill, meaning all the Heroes died) certainly equates to failure, though in that circumstance you might not feel inclined to read the text and follow it's instructions. Since these cards are meant for Free-Questing, it's not impossible that the players might decide to abandon a quest. (After all, the whole point of playing Myth in Free-Questing mode is to have creative freedom for the session, and have better control of factors like Tile set up and session duration than a Story might give you.) There's no clear rule for handling that, but it's certainly in the spirit of Free-Questing, so I've included likely consequences on the cards for Heroes that run away very unheroically. Since the proprietor of The Silent Minstrel is a serial killer, I've put some very "Saw-like" components into those failure blocks.

The Story in the rulebook had an extra 12x12 tile with no special rules before you got to the 6x12. I've skipped that here, making the Act a little shorter (unless you compensate by putting a trap-filled Tile in between the quest Tiles) but keeping it every bit as dangerous since your equipment situation will likely be that much worse when you arrive at the double-tile that was the end of the Act in the original version.

I should have explicitly put the quest goals on this card. I've been assuming that the default of goal of any quest is to Clear the Tile unless something else is specifically mentioned, and failure happens if the tactical situation forces you to abandon the Tile without clearing it.

If the players abandon the Quest and flee off the double-sized Tile, they can escape past some Trap and then exit. Doing so here breaks the chain progression.

The Story in the rulebook includes a cryptic statement of "The Mini-Boss doesn't appear until Wave 5 is cleared." That's the only mention of a mini-boss being part of the Act. Weird, huh?

I decided to keep it, but broke that off into its' own Chapter Quest that follows this one. If 5 waves of slaughterfield eats up all the time you had to play, you can save the mini-boss fight till the next session.

It was a little tempting to move the miniboss all the way to the end and have it be the Innkeeper, but that would have really changed the power-level of the final battle which already has several strange rules and didn't need the further complication.

The events of this Quest are a hybrid combining the Miniboss from the second Act of the Story, with some of the special rules of the final Tile of the third Act.

Gathering kindling is mentioned in the Story, but not really explained or defined. Here it's a bonus Treasure, and also sets up a benefit for the final Quest.

The original Story mentions "the Heroes must gather the wood and fire to light the fire" and puts some tokens on the map but fails to explain how that works.

I added a non-combat action with a die roll to make it just a little harder. The Title you get as a reward for success is a big deal, so I felt it needed an extra hurdle.

I came "this close" to adding a mini-boss or captain to this card to represent the innkeeper. It would have really complicated the fight, but killing that jerk would have felt cathartic.

Friday, April 25, 2014

Myth Story Quests rendered into Chapter Quests: The Common People

Here's another set of Story Quests from Myth converted into Chapter Quests. This time I tackled Story #4: "The Common People".

These cards are intended to be played during Free Questing, with the following House Rules to replace the usual Story-dependent "level up" rules about decks, titles, and equipment.

House Rule #1:  At the end of every third session, the players receive a Deck Manipulation reward.  When this happens, items are reset to their starting (brown) equipment for each character, but you can save 1 item + 1 per earned Title. Serendipity and gold are reset to zero at this time as well.

Addendum to House Rule #1: If the Heroes ended the third session while still in the middle of a Quest Chain, they may choose to delay the Deck Manipulation and item reset until the end of the session in which they complete that chain. Further Deck Manipulation rewards do NOT accumulate while you are delaying one.

House Rule #2: When you complete a chain Quest that directs you to add a new chain to the Quest Deck, you may choose to either place that card on top of the deck, or to shuffle it into the deck. If the last Quest of a session tells you to add a new chain to the Quest deck, you may make the decision at the start of the next session.

House Rule #2 is arguably the intent of the designers at Mercs/MegaCon Games. It is already implied on page 11 of the rulebook, when they say you can abandon Story or Act Quests to pursue a Chapter Quest Chain, but I wanted it to be listed explicitly since I got a few questions after I posted my conversion of "The Mad King" into Chapter Quests.

Here's the cards that together act as a conversion of "Common People" into a series of Chapter Quests...

Act 1 of the "Common People" Story is/was a rush across several tiles on a 10 Darkness Cycle timer.

I turned this into a per-Tile Hero Cycle timer for 2 reasons:

#1: To allow the players to wrap up the game for the night at the end of any Tile, and eliminate any memory issues next session if they do so.

#2: To allow the players to have the freedom (standard to Free-Questing) of choosing which tiles have Quests and which have Traps without it complicating the Quest.

When I say "complete this Realm Tile" on the various cards, I meant "Clear this Realm Tile". Memo to myself: fix that bit of language whenever I get around to updating these cards.

 (By the way, I made these cards a few weeks ago, so they've got the older layout. I'll probably move them to my newer layout whenever I implement any playtest feedback that crops up.)


 I'm a little nervous that I might have set the Hero Cycle timers too aggressively, and need to relax them later so players can actually succeed, especially this last one.

The difficulty may have gone up, but the rewards if you are successful on all three have also increased a tiny bit. You'd get 3 treasure draws instead of 2, and you'd get two of them a tile or two earlier than otherwise expected. My hope is that the combination roughly evens out.

Giving the players control of when they call it quits for the night meant I had to include text on both Burning Bridges and Fallen Guard to ensure that the former would continue to affect the game while the later was being resolved.

At first glance, there's no way to fail this Chapter Quest. However, a TPK is definitely a possibility in any game of Myth, and the players should probably have the freedom to abandon any quest when Free-Questing. With that in mind, I decided to include some minor directives and flavor text for failure. Such failures won't come up very often, so I didn't spend a lot of time or energy on them. Keeping with Myth's stated "the heroes are telling the tale in a bar after the fact" theme, I decided to not make a TPK end the plotline.

The second Act of this Story was a little vague, and I'm taking a position here on what it meant. Any Hero may exit the Tile as normal by moving off the edge (and placing a new Tile if there isn't one yet), but instead of having to "Clear" the tile to progress, each Hero can individually escape as soon as the number of monsters on the Tile is less than the number of Heroes. The previous quest will keep sending monsters towards you to mess up that math, so this may be tricky, especially for the last Hero through the doors. Players will find success at the Quest hinges on them being coordinated and clustered at a Tile-edge so they can all flee at the start of a Hero Cycle when the monster count is low. If some Heroes flee before the others and accidentally trigger a Darkness Cycle in the process, it may cause the group as a whole to fail. Leaving someone to die outside the gates doesn't feel like success to me.

Trying to pack everything into a single card and keep it legible wasn't easy. I had to truncate a few sentences, skip some of the flavor text, and even omit important information. So it's not as clear as it could be that you win at the end (not the beginning) of wave 10. I don't spell out exactly how the limited entry zones affect Slaughterfield spawning -- personally I'd basically spawn them as if there were off-board lairs adjacent to those 6 spaces -- so how you interpret it might render the Quest a cakewalk, or on the other hand Heroes trying to fix the gaps may find themselves surrounded suddenly and frequently. I also left off the description of what the three resources represent for space considerations (pickaxe/rock, bucket/water, and hand spade, for those still wondering).

Even with those problems, I think the process for fixing the walls is still probably clearer on this card than it is in the rulebook. In the rulebook it's on this weird little copy/paste chart from another quest, and there's no mention of where or how you get a hand spade. I've seen forum threads where different groups interpreted the rulebook in very different ways based on the vagueness of the rules.

In closing, I would just like to say that despite having thoroughly read, thought about, re-typed and re-edited the "Common People" story, I still have no clue what the name means.

Monday, April 21, 2014

What I Didn't Do

A few posts back, I successfully talked myself out of the Recon kickstarter.

What I forgot/failed to do, was convince my wife. So with ~15 minutes left to the kickstarter ending, she pledged for the Myth level. A level which, I'll admit, got better than I'd originally expected. They hit extra stretch goals and announced alternate sculpts that would actually fit the Myth setting. In the end it was $40 for I think 7 minis and probably around 35 cards or so. Not a great deal, but better than I'd feared. She didn't back full Recon, just the Myth crossover parts, so I won't have to stare across the table at Tango & Cash. So that's something.

Friday, April 18, 2014

Myth Story Quests rendered into Chapter Quests: The Mad Hermit King

The Myth rulebook has a bunch of Story Quests in it that are basically more structured tales with specific tile layouts, special rules, and increased rewards. Frankly, I don't like them. They undermine Myth's flexibility, which is among it's greatest strengths, and make it possible to have to take notes on a complicated board position because you called it a night in the middle of a fight. Also, using Story Quests encourages you to nose around in the rulebook during play, which is pretty much the last thing I ever want to do during a game of Myth. That rulebook is scary.

Unfortunately, character progression in Myth is tied directly to Story completion.  That meant I needed a house rule to allow characters to advance via Free-Questing at about the same rate that they would if you only played Stories. Here's the simplest version I could think up, along with an addendum and a clarification that came up when people asked me questions on how that rule worked.
House Rule #1:  At the end of every third session, the players receive a Deck Manipulation reward.  When this happens, items are reset to their starting (brown) equipment for each character, but you can save 1 item + 1 per earned Title. Serendipity and gold are reset to zero at this time as well.

Addendum to House Rule #1: If the Heroes ended the third session while still in the middle of a Quest Chain, they may choose to delay the Deck Manipulation and item reset until the end of the session in which they complete that chain. Further Deck Manipulation rewards do NOT accumulate while you are delaying one.

House Rule #2: When you complete a chain Quest that directs you to add a new chain to the Quest Deck, you may choose to either place that card on top of the deck, or to shuffle it into the deck. If the last Quest of a session tells you to add a new chain to the Quest deck, you may make the decision at the start of the next session.
Basically Rule #1 and it's addendum just treat every 3rd Session as if it were automatically the completion of a Story. You don't get an automatic Title each time, but your Item Limit is treated as if you had 1 more actual Title than you technically do so you're not screwed for not starting with an official Story. It's roughly balanced vs the original Story mode requirements and rewards. It's slightly in the player's favor, since some of the Story Acts can run unexpectedly long, but the difference/benefits should be almost entirely about  convenience, not power level.

House Rule #2 is possibly how the rulebook intended quest chains to work, but it's hard to say for certain as page 11 is short on detail and at best kinda lazily implies that's how "pursuing a quest chain" in Free-Questing mode works.

Armed with those rules, I set about cutting the Story Quests apart into their component pieces, fixing and clarifying the rough parts, ditching a few rare truly broken parts, and putting everything worth saving onto Chapter Quest Chains. Provided you occasionally drop in a Tile with Traps rather than simply rushing every possible Quest opportunity, it should be only a very minor impact on play balance, and you'll get to enjoy all the best parts of both Free-Questing and Story Mode.

EDIT: I was asked some questions about how you're intended to use these cards. The person asking was worried that this somehow made the story chapters happen out of order. That's not the case at all.

Put the first card (and only the first) of each chain into your Quest Deck and shuffle.

When you eventually draw and complete that quest, the card it unlocks can either be shuffled into your deck, or can be placed directly on top of your deck so that it's guaranteed to be the next Chapter Quest you encounter.

I don't think of that as a house rule. I'm pretty sure it is what the designers of the game meant when they said in the rules:
"If the players chose to, they can simply game the entirety of a Chapter Quest chain and forego accomplishing any Act or Story Quests. Even if those quests have already been drawn, players can choose to pursue a Chapter Quest chain instead." - Myth rulebook, page 11.

Here's my initial "proof of concept" version, which converts Story #3: "The Mad King". There's a tiny bit of new content on the cards below, but for the most part it is all just text taken from the rulebook's Story section,  ported onto Chapter Quest card format. Copyright on all of this belongs to Mercs/MegaCon. I don't think they'd complain about me posting it here, as you'd need the core game to make use of any of this, and the essence of these quests can all be found in the core game rulebook.

The first three Chapter Quests are just adaptations of the "Circle The Wagons" Act from the Story. I converted it into 3 cards, and made the third one optional, so players can choose whatever length and difficulty they want for overall "story".

Failure is unlikely on most of these Quests, as it is in the original. Just in case, I included new penalties for failure in case the Heroes have a streak of bad luck and decide they need to Abandon the Tile/Quest. This "ups the ante" just a bit, and ensures the new format isn't significantly easier than the original Story Mode version.
If you choose to use only the first two of the three wagon-related quests, you'll end up with less treasure than in the original, but if you use the longest version (which has more lairs and wagons than in the official Story) you'll get slightly more treasure than in the original.

Also, adding both cards to the deck means you can revisit just the wagon mechanics in later sessions without having to restart the entire Quest Chain.
The qualification that the Lair is at the far edge in the third version is also an increase to difficulty and game length. Heroes will have a hard time penetrating deep enough into the Tile to take it out before the whole place is swimming in monsters.
The middle Act of the original Story basically boiled down into a single Chapter. Players may want to add at least one Trap-filled Tile to pad this out a bit.

About 3 Trap tiles to every 5 Quest tiles is roughly the ratio used in the original Story format (for most of the stories, anyway).
The start of the 3rd Act of the original. I added the "leftovers" rule for the event of drawing this Quest on a 6x6 tile in a 4- or 5-player game.

I added some provisions here to keep it properly challenging regardless of the Tile size the players chose.

The rewards include a Deck Manipulation, because I converted this before I'd settled on the House Rule (see top of page) that makes it redundant. Most people will choose the Title anyway.

There's also some Serendipity bonus on the final card because I don't want to assume the players will call it quits for the day after doing this card. The whole point of doing these as Chapter Quests was to give players more control over the game (including length) and not be straight-jacketed by the Story structure if they'd prefer to be flexible about it.

Thursday, April 17, 2014

Cockatrice Chapter Quest Chain for Myth

Here's another short (4-card) Chain of Chapter Quests that I made for Myth. The first two are basically just effects that trigger at the start of the tile, but the last two in the chain include ongoing effects that should mix up the tactical situation and require some decision-making during battles.

 It all starts with a nasty toxic fog that destroys items. It was kind of a cool idea for dialing back the throttle on character advancement, and is basically a lighter version of the start to the "No Rest For The Weary" Story Quest. It'll be painful if it comes up at the start of an Act, but no big deal if you get it after a Chapter or two of play.

I haven't made the "Industrial Evil" Quest Chain yet. It's basically a placeholder for a whole other plot idea that would start out the same but go in a different direction entirely. This lets me get double-duty out of the first Quest card, without increasing the frequency of equipment destruction too much. For now, the fog is toxic and corrupting simply because the area is near the nest of a cockatrice, which are several flavors of deadly depending on which mythologies or bestiaries you read.

The rest of the Quest Chain is fairly simple and self-explanatory. The second Quest in particular is pretty much a guaranteed win. Partly that's to compensate for the hefty punch of item destruction in the first Chapter. This Chain isn't meant to be nearly as difficult overall as the official Story Quests, since it doesn't have a Title reward at the end.

The third Quest is a small tactical challenge that can be solved with Aggressive Movement. It's not particularly difficult, but sloppiness is penalized.

The final step has a built-in triggerable board-clearing ability to offset the dangers of a double-tile, but it comes at the risk of a bad roll potentially killing Heroes.

Edit: Not letting the Heroes actually battle the cockatrice is a bit of a cheat and a let-down, but it's a trick that Mercs/MegaCon themselves used at least twice (with the Innkeeper at the end of "No Rest For The Weary"  and the Hermit King at the end of "The Mad King"). It's not ideal, but it means I don't have to stat out a cockatrice and pick out a mini for it.

The flavor text on the various cards pokes some fun at the treasure-grabbing nature of dungeon-crawling games in general. Fitting a story into 4 rules-laden cards is pretty tough, so rather than beating my head against the wall trying to produce great drama, I just went for a little bit of snarky humor.

EDIT: Posting these cards here caused me to think more about them. In retrospect, I suspect I may have put these in the wrong order. It might actually flow more logically if the Petrified Fighters were the first quest, instead of the third. You find evidence of cockatrice trouble, and then encounter the nasty environment only if you intentionally approach its lair to kill it. Changing that now would require major rewrites.

Tuesday, April 15, 2014

Why I Haven't Kicked Recon

Mercs/Megacon, the company that made Myth (which I really liked) have another Kickstarter wrapping up in a few days. Mercs:Recon looks like an interesting game, but there’s a few things holding me back. Really this is the post where I talk myself into it, or out of it.

Okay self, why should I NOT irresponsibly throw oodles of cash at Mercs:Recon?
  • 1) I’ve got too many cooperative minis games right now. For the last week I’ve been posting about Myth, Galaxy Defenders, and the upcoming Shadows of Brimstone. The only way Recon will get any play time at my table is if I retire 2 or 3 of the other games permanently. Much better to save my money for the inevitable Myth Expansions kickstarter. Recon is more of a "one-off" board game, and not campaign-style. That does make it easier to jump into on a off night, but at the cost of some of the fun and investment.
  • 2) It’s not cyberpunky enough for me to use the parts for something other than the game itself. Futuristic mercenaries breaking into a corporate high-rise sounds like it should be right up my alley. I love CP2020… but this game only has about 10% of the CyberPunk aesthetic. The game has minis for modern-day office workers and private security, and for futuristic mercs in MetalGear, but not for anything that represents the core player characters of a CP2020 campaign. If there were cyborgs, or street punks, or even glamorous CEOs in fancy italian suits and evening gowns, it might be worth my kicking in for the minis. I kinda want the office-building map tiles, and the add-on purchase 3D terrain and drones, but at this point there’s better ways for me to spend my $135. While that's not their fault, they aren't making CP2020 the minis game after all, it definitely means the game itself would need to be more compelling because there's nothing else for me to do with the parts.
  • 3) The four playable factions don’t seem different enough. 3 of the 4 are indistinguishable to my eye, all being decked out in basically the same power-armour and armed with the same style of weapons. The sample character sheet was all about bonus dice, instead of more colorful abilities. Character niche seems a little shallow at first glance, though that could just be a marketing failure. If the other elements were compelling enough, I could get past this issue.
  • 4) I’m not so thrilled with the stunt-casting. Remember how Galaxy Defenders has minis that are clearly lifted from Aliens, Predator, MIB, and RoboCop? That’s kinda cool, but very distracting. It undermines immersion, and leaves a weird taste in my mouth about the setting. Now Mercs:Recon also has a mini lifted from RoboCop, not to mention a couple from Die Hard and, of all things, Tango & Cash. What!?! Rambo and Snake Plisken I might have been able to get behind, but Tango & Cash? Really? That's what you thought gamers were dying to play?
Tango & Cash scored 39% on Rotten Tomatoes.  Just sayin'.
  • 5) The Myth pledge level is a bad deal. For a $40 pledge, you can get just the stretch-goals that come with a Myth tie-in. At the time of this writing, that’s 1 figure that comes with 2 cards. By the time you’re reading this (I’ve written so many posts today that I’m scheduling them out to go live one per day), they may have hit the next Myth-related stretch goal. That’d be a second miniature, with about 30-35 cards. Still not a great deal, and not Megacon’s best mini either — it’s hard to get excited about a mini that’s intentionally generic enough to kinda sorta fit both the near future and medieval fantasy europe. If the kickstarter gets another $100,000 past that, it’ll unlock 4 zombie minis that most likely come with a single card.  Are 1 to 6 minis and 2 to 40 cards worth $40? That kind of pricing is what drove me out of WH40K. The original Myth kickstarter was $100 for 150+ minis and 200+ cards, so you know the cost to manufacture any given component can't be very high. I'm a little worried that if people buy into this, it will set some really bad precedents for what Megacon can charge MSRP for a single figure.
Good points, self. You’ve convinced me to stay out of this one. Though there is a little voice over my bad shoulder that tells me objections # 2, 3, and 5 could all be negated if there’s some cooler stretch-goals added in the final days. I wonder how I’ll feel about it a week from now when this post goes live?

Monday, April 14, 2014

Myth vs Galaxy Defenders vs Shadows of Brimstone part 8: Non-Combat Actions

This is the 8th, and probably final post in a series comparing specific elements of three big kickstarted cooperative miniatures games: Myth by Mercs/Megacon, Galaxy Defenders by Project Gremlin / Ares, and Shadows of Brimstone by Flying Frog Productions. In this installment, I discuss the non-combat portions of three games that mostly about their battle systems. What is there to do in these games, other than kill monsters?

Non-Combat Actions

Myth provides a great variety of things for you to do in-between killing monsters. Nearly every session will involve at least one trap that needs to disarmed or circumvented. Many of the quest cards provide allies to rescue, timers to race, or special terrain to interact with. You probably average from 3 to 6 of these special rules or objectives in a typical session, and they really change your goals and play style when they’re active. The main boxed set includes a nice variety of such activities to liven up your sessions, and there's a lot more coming up in the expansions and stretch-goals. Admittedly, the non-combat-action rules are sketchy and under-developed, but they’re also quite flexible.  I particularly like that most non-combat checks don’t interfere with your fighting abilities at all. You don’t usually have to choose between kicking-ass or advancing the plot, as more often than not you can do both equally on your turn. Each character class has at least one unique card that helps them in non-combat activities.

Galaxy Defenders seems to offer a bit less than Myth in that area. There are missions, and most of them involve getting to a particular place and doing something special once there, so that's a step in the right direction. The first several missions in the rulebook are just 1 or 2 small rules or objectives that only come into play at the end of the hour-long session. Later missions are more involved, but are also balanced for larger groups of high-level well-equipped characters, and have longer expected run times. GD has interesting quests and events, it just takes several sessions and level-ups to unlock them.

Characters in Shadows have a large number of non-combat stats on their character class sheet: Agility, Cunning, Lore, Luck, Spirit, Strength, and Willpower. You don’t roll any of those in normal combat (sometimes Willpower is used for a Sanity check during a fight with the worst supernatural horrors), they exist mainly for use with the Encounter cards, which are little quests and events that happen as you travel through the maze. The demo I played was a pretty simple “learn the rules” treasure hunt, so we focused mostly on combat and didn’t see many of these Encounter cards. If that same ratio of fights to encounters exists in the main game, then SoB only has about the same number of non-violent activities as your typical GD mission… but I honestly doubt that’s the case. Given over half a dozen non-combat stats, it seems likely that they’ll come up quite often in normal play. I expect cave-ins, clue-gathering, and other exciting subplots and side-missions to crop up regularly. That said, each session is on a turn-clock (if a particular token advances 15 times the heroes lose), and the tunnel layout is pretty linear, so there may be practical limits to how many encounters and side-quests can actually happen.

And The Winner Is: Myth. Its lead in that area may shrink somewhat when I get more time with the other two games and learn their secrets, but at very least Myth has the most immediately-accessible things to do other than just simply kill for profit. (Killing things for fun and profit is the mainstay of all three games, though, so don't take that the wrong way.)

Summary and Conclusion

In the previous posts, I awarded "wins" to each game in various categories.
  1. Character Customization: Shadows of Brimstone
  2. Set-Up Speed: Myth
  3. Flexibility: Myth
  4. Game-Length: Galaxy Defenders (was tie with Myth before this update)
  5. Pacing: Myth
  6. Setting: Subjective
  7. Miniatures Versatility: Shadows of Brimstone
  8. Maps/Tiles: Shadows of Brimstone
  9. Rulebook: Galaxy Defenders
  10. NPC AI: Myth or Galaxy Defenders
  11. Non-Combat Activities: Myth (but Shadows of Brimstone looks interesting)
If those were all evenly weighted (and they're definitely not) the score would be something like Myth 5 to GD 3 to SoB 4, depending on how you handle ties. Of the three, Myth is currently my favorite, but the character advancement system in Shadows has exciting potential so that could change over time. All three games seem very solid to me, but each has it's flaws as well.
  • Myth's rulebook is a ridiculous mess, and individual sessions may not have enough structure for some players.
  • Galaxy Defenders has a very involved set-up process, and the game itself includes a little more clutter and book-keeping than the others.
  • Shadows of Brimstone has slightly less interesting AI for the monsters, but otherwise seems quite solid. It also doesn't release for several months, and so it could have additional flaws that weren't evident in the demo I attended.
Myth cost about the same as GD via the Kickstarter, but it will include a lot more content once all the stretch-goal items arrive later this month. Myth and Shadows feature what seems like comparable amounts of content from my current perspective, but the full palate of stretch-goals kicked in at a much lower price tag on Myth. Overall, Myth feels like a better deal to me, though again the bad rulebook is a deal-breaker for some groups. It's kind of a shame. I may revisit this series when Shadows of Brimstone actually releases, when a more detailed comparison can be made concerning components I don't yet have in my hands.

The Horror Beneath (A short Chapter Quest Chain for Myth)

As mentioned in another post,  I've recently started making my own Chapter Quests for use with Myth. Here's my first attempt at a short Quest Chain:

 It starts off very simple. An extra Captain and an AP at possibly inconvenient moment, but if the players think ahead and plan for it, it'll be easy to deal with.

It's an intentionally quick Chapter Quest designed to fit in easily and not disrupt the flow of a Story or Act. (I had that goal because I wrote these before the new FAQ came out that changed the official stance on Chapter Quests inside a Story or Act. They used to be mandatory, now they're optional.)

  The first Quest links to two different Chains, but they both  lead directly to the same final Chapter. If you play the game a lot, Chapter Quests will be reused, so I wanted to give the players one little decision that would let them switch it up over multiple plays.

As mentioned in a recent Myth-related post, lairs that are tucked away in hard-to-access areas can slow the game down quite a bit, so the Lairs Beneath quest should be used with caution if your Heroes don't have good equipment or a solid plan for dealing with a high-TN Lair.

Fallen Beneath is probably easier overall, but features a unique "one-way progression" mechanic that threatens to separate the Heroes, so difficulty is variable depending on the size and status of the Realm Tiles involved. If you leave an active Lair behind, you'll almost certainly regret it.

The final chapter is very simple. It's a half of a fight with the T1KL. Sort of a warm-up to eventually tackling the Boss in earnest in some Story Quest. The "Boss Stages" are an interesting mechanic, and just doing Stage One was a simple and elegant way to get more use out of the boss without adding too harsh a difficulty spike if this card came up in the middle of one of the more challenging Acts or Story.

The consequence for abandoning the Tile is meant to represent that if you don't quickly beat the monster into submission, it and its brood will remain active in the region. It assumes that the default practice is to remove completed Quests from the deck, but that's not very clear in the rules and some groups may not play that way.

Possible Revisions:

These Quests are still pretty rough at this point, and may see some revision a little bit down the road. I see now how Mercs/Megacon made so many quests with ambiguities on them, as the limited space on the cards makes it very likely that your first draft will leave out something important. Editing with fresh eyes is pretty important.

Fallen Beneath may be tweaked to give the Hero sucked down the hole an immediate Treasure Draw. IIRC that was my intent when I made these a week and a half ago, but that timing isn't even hinted at on the card.

Lairs Beneath may need to be dialed back a bit in light of our recent difficulties with a hard-to-reach lair in normal play. Also, I envisioned the holes as 1x1 in size, and when I was making the card I hadn't yet realized there was a 2x2 hole token in the main set, so it may need extra text or a custom token to clarify that.

I may also reduce the Serendipity reward on the first quest to a single point (since it's pretty easy to beat), but then add another 2-point serendipity reward to one of the second-link quests instead of the current Treasure Bag manipulation. Rewards are the trickiest part of Quest design in Myth. Coming up with interesting scenarios and special rules is much easier than finding innovative new rewards. Assuming the Token count in the main box are intended as limits, your Treasure Bag ends up maxed-out long before you complete all the Bag-Manipulation Quests in the main game. I should probably brainstorm a bit before I do the revisions here or make more Quests.

There's also a temptation to expand the chain out a bit. I have this idea for turning the Aracnos from Galaxy Defenders into a Myth Captain or Mini-Boss, and I think I would prefer to shoehorn that into this Chain rather than build another Crawler-themed Quest Chain to showcase it.

Sunday, April 13, 2014

Myth vs GD vs SoB part 7: NPC AI

This is the 7th of 8 posts comparing specific elements of three big kickstarted cooperative miniatures games: Myth by Mercs/Megacon, Galaxy Defenders by Project Gremlin / Ares, and Shadows of Brimstone by Flying Frog Productions. I've played all three, and in this post I will compare and contrast how the monsters move and act in each game.

NPC Movement and Artificial Intelligence

Myth's monsters behave in organic and interesting ways. The actual movement rules are relatively simple, but the clumsy rulebook makes them seem more complicated than they actually are. Each monster species has its’ own targeting priority, which is pretty neat because it means smarter monsters fight more intelligently and cooperate better than others, and cowardly monsters fall back to shoot at easy targets from a distance. The monster’s actual tactics are a little predictable, but there’s a nice variable turn-length mechanism that introduces an element of skill (and teamwork) into anticipating which heroic actions will be accomplished by the party before the monsters get to counter-attack. Overall, it’s a little clunkier than it needs to be at times, but it really does keep the game fast-paced, flavorful, and interesting. They give the very encouraging advice that if you do it wrong, don’t sweat it — it’s a cooperative game where you can easily scale the difficulty on the fly. If you’re having fun, a technically misplaced monster or two doesn’t matter. If the mistake bothers you, make up for it by spawning extra monsters when you're placing the next room.

GD has a similarly organic movement system, operated by card draws. It does a great job of differentiating between the monster types, so smarter/faster/vicious/stealthy monsters behave appropriately. It automates their tactics, and keeps the players guessing. You have to take opportunities as they present themselves, because you never know what’s going to happen next. It’s absolutely the best part of the game, and is actually a better version of what Myth was aiming for. (GD's take on it is smoother in play, and more crisply differentiates between the monster types.) Unfortunately, it’s permanently wed to the mostly-dreadful hexagonal area boards, which are an eyesore. If I can figure out a way to pry the heart of this game away from its hexagonal boards, I bet I’d play a lot more of it.

Shadows of Brimstone has the most conventional movement system of the three. It’s the very board-gamey, where the monster directives in the other two are more immersive and flavorful. Most monsters are very predictable in Shadows. They quite sportingly attempt to split their numbers (and attacks) evenly between the heroes. They arrive in a checkerboard pattern for the express mechanical purpose of keeping dynamite from being too powerful in the first turn of any encounter. Those are solid play-balance decisions, but they seem a little artificial once you’ve been exposed to Myth’s “it’s a cooperative game, so set your own difficulty and do what's fun” philosophy. That said, some folks find Myth to be too malleable and not challenging or structured enough. I’m predicting that those folks will prefer the balanced concrete systems present in Shadows.
I do have one minor setting / mechanical gripe about SoB, but it might just be a function of the specific demo I played. All the monsters we faced were melee swarms. In a game about Western gunfighters, it seems like cover should matter a little more, and some of the bad guys ought to be shooting back at you. That feels like a bit of a missed opportunity, and it may actually auto-correct itself when I see the final mix of NPCs. The monster stat cards had a box set aside for ranged attacks, but that box was empty on every creature we faced in the demo.

And The Winner Is:
Either Myth or Galaxy Defenders, depending on whether you find the former's awful rulebook more or less of a hassle than the later's overly-busy mapboards.

Saturday, April 12, 2014

That took longer than expected!

Played Myth again last night with my wife and a few friends. We got an Act Quest ("Light The Fires") that gave us a set number of turns to pass through a set number of tiles of specific sizes. No problem, in the first hour and fifteen minutes we ripped through 4 tiles. The game was just sailing along.

When we placed the last tile, it included a Lair feature. The tile was a little crowded, with some impassable wooded spaces on the edges and bonfire in the middle. So we stuck the Lair in the back, as that's where there was the most space.

Sadly, this meant we could not get close enough to do damage to the Lair. The monsters (and their Captains) just kept pouring out into the cramped space, while our hands were combo-less and ineffective. The fight went a ridiculous 2.5 hours for this one little tile. We eventually triumphed, but our Archer was KO'd and all that saved the rest of us from falling with her was using Call To Arms to bring Marcus the Ready to our aid. It stayed fun, and very challenging right up to the last Hero Cycle, but boy was it long. Our guests left at 1 am.

I may have to reassess my analysis from a few days ago about game length. It's true we could have been more effective if we were a little more coordinated, and we could have defeated it quicker if we'd been a bit more strategic. Some portion of the delay was no doubt user tactical error... but even if we'd cut the length of that fight in half through stronger play (or better equipment) it's still over an hour for a single tile with a single Lair. (Some tiles can have up to 4 Lairs if you really want to challenge yourself!) I'd honestly felt prior to this that stopping points during Free Questing presented themselves every 15 to 30 minutes, with Slaughterfield Quests being the only likely exception that I was aware of. Turns out there are rather more exceptions than I'd imagined. The board situation was so complex, it would have been a huge burden to try to stop in the middle of that fight and record where everything was for next time. Luckily it was still tons of fun, but the notion that the players have total control of the length of the game turns out to be something of an illusion.

Myth vs GD vs SoB part 6: Boards and Books

This is the 6th post in an 8-part series comparing specific elements of three big kickstarted cooperative miniatures games: Myth by Mercs/Megacon, Galaxy Defenders by Project Gremlin / Ares, and Shadows of Brimstone by Flying Frog Productions. Last time I talked about their miniatures, so this time I'm going to discuss other physical components in the main boxed sets.

Boards, Tiles, and Counters

Myth has some very nice Realm Tiles, ranging between 4x6 all the way up to 12x12 inches. They’re conveniently sized, durable, easy to read (though it would have been nice if the blue lines could have “popped” just a little more) and quite pretty. Some of the game mechanics are unobtrusively printed along the edge, to reduce rulebook look-up mid-game. That’s nice. You only use a few tiles at a time, so the play area is actually fairly small (just 1 foot square in Slaughterfield mode). When the plot takes you to the end of the table, it’s easy to slide the stuff you still need, and scoop the tiles you’re done with… or if you’re in Free-Questing mode, you can just choose to place the tiles in a way that doubles back so you never reach the edge of the table. Absolutely zero complaints or headaches in play. There are some 1x1, 2x2 and 2x3 terrain markers that get placed on the tiles in some scenarios, but never so many that it becomes a burden or confusing. In the stretch goals are fancy 3D plastic versions of many of those tokens to spice up your table top if you so desire.

The boards in Galaxy Defenders aren’t quite as nice, in my opinion. The boards are 9x15 inch tiles and you use 2 or 3 of them at once, so there’s a much larger minimum table-space needed. On top of the big boards, you place a ton of little terrain-modifying tiles (mostly 2x1). There was a positively annoying amount of them in second scenario in the book. You set up the whole board at the start of the game, so at least you never have to slide it around once you've built this complex layout. The tiles are overly busy, and have thick garish colorful outlines. I really like the area-movement rules, but unfortunately the extra outlines for it collectively contribute to the overwhelming visual clutter. Plus, hex-shaped spaces and areas means that all the buildings on the map have really strange architecture. All of which undermines the point of putting so much immersive detail into the maps in the first place. I think the boards for GD are probably its single weakest game-play feature, even if they are what makes the area-movement system so sweet. The hexagonal-based character sheet and equipment system is intriguing, but a little disorienting during your first play.

Shadows has very uniquely-shaped organic cavern tiles, most of which are just over 6 inches long if memory serves correctly.  I was initially a little apprehensive about how the weird shapes would interacted with movement and line of sight, but having now played the game, I see that they are really quite nice and functional. They pack in the visual detail, but remain quite clear and easy to mentally process. They interlock so you can slide them around easily without messing up the board position. That’s actually very important, because the card-driven random exploration system means you’re going to run right over to the table edge several times per session. I gather that Shadows will come with a lot of different tokens for things like wounds and sanity, but the copy used in this demo were just repurposed parts from A Touch Of Evil and Last Night On Earth, so I don't know much about them. The prototype of the Gunslinger's ammo template was pretty neat though, and I'm looking forward to the full-art version of it in the final game. It was like the cylinder of a revolver.

And The Winner Is: Shadows of Brimstone, surprisingly since some of the parts weren't in final art yet. What sold me was the mine tiles. They're not quite as open-ended as Myth's realm tiles, but they fulfill their designated role exceedingly well.  Most of the game takes place in a mineshaft or cavern, and the tiles do a very good job of reinforcing that concept. Next time I run a D&D game in a similar environment, I'm almost certainly going to break out the Brimstone mine tiles.


As stated elsewhere, Myth’s actual rules are good, but the book is poorly organized and actually missing some vital information. This is Myth’s worst weakness, and it’s probably a fatal flaw for some folks. Learning the game from the rulebook is tiring and difficult, but learning it from someone else who’s already played is quick and easy. I've gone on about it at length in another blog post. About all I can add to that is a complaint that the font size is really tiny on some pages.

GD’s rulebook is really solid. The examples are clear. The index is functional, but would have been easier to read in two-column. You can learn the game pretty quickly from reading the book. It's not quite as pretty as Myth's rulebook, but much more useful and sane. The print is large, and the headers are in color so you can quickly scan for the subsection you're interested in.

I learned how to play Shadows at a demo. It was very simple to pick up from a quick face-to-face explanation, but that can mostly be said about the other two games as well. I have never seen the rules, so I can’t really speak about layout, organization, or clarity.

And The Winner Is: Galaxy Defenders has a much more functional rulebook than Myth, so it wins at least until Brimstone releases or Mercs/Megacon releases an updated PDF.

Friday, April 11, 2014

Myth vs GD vs SoB part 5: Setting and Miniatures

This is the fifth post in my 8-part series comparing specific elements of three big kickstarted cooperative miniatures games: Myth by Mercs/Megacon, Galaxy Defenders by Project Gremlin / Ares, and Shadows of Brimstone by Flying Frog Productions. I've played a little bit of all three, and in this post I'll talk about their settings, art styles, and miniatures.


Myth has a very clear product identity. The illustrations feel like a comic book. (Or a little “cartoony” if you must. In general it works really well for me, but I’m sure it’s not for everyone.) I like that the setting isn’t just cookie-cutter generic fantasy, and has subtle bits at world building. The NPC bosses are particularly crazy-looking and inspiring. The humanoid enemies are “grubbers” and “muckers” instead of generic goblins or orcs, which suggests flavor, but doesn’t exactly spell out what it means. It’s all hinted at, but never presented in detail. Maybe that’s because the game world is new, or maybe it’s intentionally vague to leave things open so you can decide for yourself what it all means in the same way that you are your own GM in Myth. The setting is mostly cohesive, but it does have a few oddities and anachronisms, such as very modern clerical collars on the NPC priests. Probably the least immersive part of the game is the monster lairs, which spawn creatures in a way that feels a bit like a video-game.

Galaxy Defenders really doesn’t have its own setting at all. There’s a bit of lip-service applied towards it in the book, but clearly their goal is to be a remix/mash-up. Characters, especially those from the kickstarter stretch-goals, are thinly-disguised versions of hollywood stars from all your favorite sci-fi movies at once. The event cards for weather are literally a still-frame of Rutger Hauer delivering the “tears in the rain” speech from blade-runner, and the poster for John Carpenter's The Fog, both run through photoshop filters. 

I've seen copyright law on fire off the shoulder of Orion.
I am so torn by this. On one hand, it’s awesome, and I admire them for having the courage to do it. Who hasn’t wanted to play Aliens vs Predator vs MIB vs RoboCop vs Plan 9? On the other hand, it erodes suspension of disbelief just a little, and makes me a lot less interested in the unique characters and monsters that aren’t obviously lifted from a film. Everytime I place a generic “Xeno-Beta” instead of the obviously Giger-derived “Xeno-Morph”, I feel like I’m missing out on some of the fun.

Shadows of Brimstone has, for me, the most compelling setting. It’s the Old West, with supernatural elements and portals to other worlds. So, mostly it’s Deadlands. That’s okay, I like Deadlands. I’ll probably slip up and say “Ghost Rock” instead of “Darkstone” nearly every session. There are distinct differences between the settings. There’s no CSA, Hucksters, Whateleys, etc in Brimstone, but there are some very high-tech aliens and pulpy snakemen on some of the Other Worlds. Of the three games, SoB has the darkest and most realistic artwork. It also seems at this point to have the most developed and internally-consistent setting, despite being explicitly a game about dimension-hopping where in theory anything is possible.

And The Winner Is: This is totally all about your personal tastes, I can't tell you which you'll like best.

Repurposing the Miniatures

With three different cooperative dungeon-crawls releasing this year, I'm not going to find time to play all of them as often as I might like. So I find myself wondering can I mix-and-match? Can I repurpose minis from one game to the other, or use parts of these games in my RPG gaming?

As I said, I like Myth’s art style, but I could see why some wouldn’t. In fact, one of my friends complained about it when I tried to show him the game. The figures are distinctive, and somewhat intangibly “friendly” even when depicting something terribly evil. They work for Myth, but they might feel out of place if you ported them into a game that takes itself more seriously. It's not Kingdom Death, after all. There's a handful of figures in the Myth box that will work as orcs or giant scorpions in D&D, but that's it.

GD has a lot of very recognizable Hollywood-inspired minis, and as I said I have mixed emotions about that. If I were a little more into painting and collecting, I’d probably get more of a kick out of it. Seriously, having a miniature Ellen Ripley makes me wish I was more of a minis painter. I don’t know how much use I’ll find for these minis in other gaming, but they’re at least a fun novelty to show off, if that's you're thing. It occurs to me that the Aracnos monsters from GD could probably be used in Myth if you created just a single monster stat card for them (so I may have to do that).

Brimstone is a godsend for an RPG gamer such as myself. That kickstarter is loaded with minis appropriate for Deadlands and other westerns, Call of Cthulhu, pulp-era, retro-sci-fi gaming, and even a few things for the Post-Apocalypse or more traditional Medieval Fantasy. Even if the game sucked (and I’m pleased to say it doesn’t), I’d still probably be happy with the quantity and quality of minis I'm going to be getting from this. I consider it a wise investment for RPG gaming, as last time I ran Deadlands, I had to use LEGO cowboys during the fight scenes, and it was a little silly.

And The Winner Is: Of the three, Shadows of Brimstone has the most versatile selection of miniatures.