Just about have my Night's Black Agents: Dracula Dossier RPG campaign converted to online play via Roll20. Character sheets, handouts, "murder board" Adversary Map, the whole enchilada. Excited at the thought of getting to play again soon.
Not sure what I'll do with all the space this will free up in my living room. Maintaining a corkboard with NPC photos pinned and connected by colored strings has been a hallmark of my home for over 2 years. For once I won't be afraid to have my landlord drop by... well, I mean... except for the fear of contagion and quarantine.
Dangerous assumptions about how gaming relates to life. Also a place for r_b_bergstrom to keep an archive of things he flung out into the gaming fora and wikis of the world.
Showing posts with label Adversary Maps. Show all posts
Showing posts with label Adversary Maps. Show all posts
Monday, April 6, 2020
Saturday, May 19, 2018
Hard Drives Full of Ripper Letters
SPOILER ALERT: May contain tree nuts and spoilers for Night's Black Agents / Dracula Dossier.
Last weekend's session of my Night's Black Agents / Dracula Dossier campaign went smashingly well. We started with a battle between a group of PCs and Mina Harker on a helicopter. That led to a controlled crash that everyone survived thanks to quick thinking and aggressive point spends on the part of the players. They hoofed it north from the wreckage to cross Hadrian's Wall and the old Scottish border beyond it, having come to the deduction that Mina might be stronger on her native English soil and might have a hard time crossing a border uninvited.
Feeling a bit safer on the other side of the wall, they decided there was finally time to bring the newest Player Character up to speed on what she'd gotten herself into. So they broke out the Adversary Map and summarized each person, place, and organization on the giant interconnected web of strings and suppositions. This gave me a good feel on what parts of the mysteries the players had understood and internalized well enough to retain despite the two long breaks that have disrupted the campaign. Which meant it also pointed out to me which bits of the mystery were too vague or obfuscated for their own good, and the handful of important clues they had either forgotten or undervalued. So then I chimed in with some refreshers and emphasis where needed. I know I've beamed about it in many previous posts, but I'm just going to reiterate my love for NBA's Adversary Map, the Dracula Dossier's main prop/resource, and other organizational tools this game provides. Most detective RPGs with a long-term ongoing metaplot would have been irrevocably scuttled by the long dry spells that were caused by everyone's busy schedules and some out-of-character drama. That this campaign has bounced back twice pretty much effortlessly is a testament to what Night's Black Agents / Gumshoe System brings to the table.
We left off this session with the PCs just starting to prep their next Op. They feel responsible for unleashing Jack the Ripper on the modern world several sessions back, so they are planning to track and target him next session.
In preparation, I spent a few hours tonight making Jack the Ripper props for the game. All new letters From Hell to be the trail of breadcrumbs for the Player Characters to detect and follow. Once the PCs find them, I'll post some here. Tangential to that, I just gotta say, the stuff that accumulates on the hard drive of a horror-game GM or DM can get pretty damn crazy at times. Sometimes anxiety-brain questions the wisdom in making and storing such madness, even though it is clearly for gaming purposes.
Last weekend's session of my Night's Black Agents / Dracula Dossier campaign went smashingly well. We started with a battle between a group of PCs and Mina Harker on a helicopter. That led to a controlled crash that everyone survived thanks to quick thinking and aggressive point spends on the part of the players. They hoofed it north from the wreckage to cross Hadrian's Wall and the old Scottish border beyond it, having come to the deduction that Mina might be stronger on her native English soil and might have a hard time crossing a border uninvited.
Feeling a bit safer on the other side of the wall, they decided there was finally time to bring the newest Player Character up to speed on what she'd gotten herself into. So they broke out the Adversary Map and summarized each person, place, and organization on the giant interconnected web of strings and suppositions. This gave me a good feel on what parts of the mysteries the players had understood and internalized well enough to retain despite the two long breaks that have disrupted the campaign. Which meant it also pointed out to me which bits of the mystery were too vague or obfuscated for their own good, and the handful of important clues they had either forgotten or undervalued. So then I chimed in with some refreshers and emphasis where needed. I know I've beamed about it in many previous posts, but I'm just going to reiterate my love for NBA's Adversary Map, the Dracula Dossier's main prop/resource, and other organizational tools this game provides. Most detective RPGs with a long-term ongoing metaplot would have been irrevocably scuttled by the long dry spells that were caused by everyone's busy schedules and some out-of-character drama. That this campaign has bounced back twice pretty much effortlessly is a testament to what Night's Black Agents / Gumshoe System brings to the table.
We left off this session with the PCs just starting to prep their next Op. They feel responsible for unleashing Jack the Ripper on the modern world several sessions back, so they are planning to track and target him next session.
In preparation, I spent a few hours tonight making Jack the Ripper props for the game. All new letters From Hell to be the trail of breadcrumbs for the Player Characters to detect and follow. Once the PCs find them, I'll post some here. Tangential to that, I just gotta say, the stuff that accumulates on the hard drive of a horror-game GM or DM can get pretty damn crazy at times. Sometimes anxiety-brain questions the wisdom in making and storing such madness, even though it is clearly for gaming purposes.
Sunday, April 29, 2018
Back From The Dead. (Again.)
A year ago, I suddenly returned to this blog after a long absence, posted for a few weeks, and then vanished again. I had just moved closer to work (so a much shorter commute), and started a new Night's Black Agents campaign, and thought for sure I was going to be blogging a lot more. It didn't work out that way. I started a new relationship, which is going along wonderfully, but as the early stages of a relationship often do, it tends to re-prioritize your free time.
On a completely un-related front, there was simultaneously a falling-out between two of the players in the NBA campaign that nearly ended the game, so I suddenly had a lot less regular gaming to blog about. Moving closer to work meant moving away from a lot of my old haunts and social circles, which further reduced my access to a regular game night for a while. Things have stabilized, and I thought it was time to poke my head out and shout "hello" to the world.
The Night's Black Agents campaign went over 6 months without a session. That would have been the death of nearly any campaign, and you'd expect that to be doubly true for an RPG with mystery and detective roots. Not the case here at all. Night's Black Agents has amazing tools for keeping the narrative cohesive and preserving the clue trail, and the Dracula Dossier doubles down on that. I was very much impressed at how easily everything came back together.
About a year ago I blathered on about the Adversary Map, so I'll keep my praises of it brief today. Keeping a cork-board covered with strings and photos in the spare room gathering dust for 6 months was a small price to pay to preserve a snapshot of how all the NPCs and plotlines interconnected. Between that and a similar flowchart I have on my hard-drive (basically the same thing, but it also has all the secret connections and off-camera NPCs that the PCs haven't met yet), it was easy to reconstruct all the mysteries and pick right up where we left off.
As I said, the Dracula Dossier features even more tools toward that end. The special annotated copy of Bram Stoker's novel, with marginalia in the voices of three generations of MI-6 NPCs, is a uniquely useful prompt for the players. Having a hard time remembering the clues and leads from 6 months ago? Just open the novel to a random page, and there's almost certainly something there to jumpstart the adventure.
Anyhow, just wanted to let you know that I'm still here, I'm still gaming, and I hope to blog more soon. Of course, I have to acknowledge that I said the same thing 14 months ago, only to vanish for a year immediately thereafter.
On a completely un-related front, there was simultaneously a falling-out between two of the players in the NBA campaign that nearly ended the game, so I suddenly had a lot less regular gaming to blog about. Moving closer to work meant moving away from a lot of my old haunts and social circles, which further reduced my access to a regular game night for a while. Things have stabilized, and I thought it was time to poke my head out and shout "hello" to the world.
(An aside about work: I'm still working on Shadows of Brimstone, Forbidden Fortress, and other games for Flying Frog, but that work is covered by an Non-Disclosure Agreement so I can't really blog about it much, if at all. That's a bummer, as there is some seriously cool stuff in the pipe that I'd love to blab about if I could.)
The Night's Black Agents campaign went over 6 months without a session. That would have been the death of nearly any campaign, and you'd expect that to be doubly true for an RPG with mystery and detective roots. Not the case here at all. Night's Black Agents has amazing tools for keeping the narrative cohesive and preserving the clue trail, and the Dracula Dossier doubles down on that. I was very much impressed at how easily everything came back together.
About a year ago I blathered on about the Adversary Map, so I'll keep my praises of it brief today. Keeping a cork-board covered with strings and photos in the spare room gathering dust for 6 months was a small price to pay to preserve a snapshot of how all the NPCs and plotlines interconnected. Between that and a similar flowchart I have on my hard-drive (basically the same thing, but it also has all the secret connections and off-camera NPCs that the PCs haven't met yet), it was easy to reconstruct all the mysteries and pick right up where we left off.
As I said, the Dracula Dossier features even more tools toward that end. The special annotated copy of Bram Stoker's novel, with marginalia in the voices of three generations of MI-6 NPCs, is a uniquely useful prompt for the players. Having a hard time remembering the clues and leads from 6 months ago? Just open the novel to a random page, and there's almost certainly something there to jumpstart the adventure.
Anyhow, just wanted to let you know that I'm still here, I'm still gaming, and I hope to blog more soon. Of course, I have to acknowledge that I said the same thing 14 months ago, only to vanish for a year immediately thereafter.
Tuesday, February 21, 2017
Mapping Your Adversaries in Night's Black Agents
As mentioned last time, I've recently started my third Night's Black Agents campaign. Today I'm going to talk about one of my favorite mechanics in NBA, a mechanic which builds you an awesome in-game prop as you go.
I'm talking about the Adversary Map. You know that crazy photo-and-thread "murder board" of suspects, victims, leads and connections that shows up in many a detective film. It is to Night's Black Agents what sheets of graph paper were to old school D&D. I love it. You hand the players some push pins, surveillance photos, and colored
yarn and ask them to start mapping out the opposition.
It's not just a prop, it's also a mechanical reward. At the start of every Night's Black Agents mission the PCs get bonus points (that can be spent to improve die rolls) based on the connections they have successfully drawn between the mission's target and various other assets and locations in play. This is genius.
For one thing, it perfectly captures the feel of the genre. The PCs are basically trying to identify and pick-apart a giant conspiracy, and this provides some truly excellent immersion into that mindset. Having used this now in multiple campaigns, I can't imagine running a "detective genre" game ever again without using it.
Along with that oh-so-tasty immersion in the setting, it also helps the players visualize what they are up against. The existence of this player-built map forces the PCs to have an ongoing dialog about the clues they've gathered and the avenues of investigation still open to them. It's a mystery game, so you want the players to take it seriously and try to figure out the big picture. The Adversary Map provides a guiding structure for those efforts, and it's damn awesome that the game rewards that good behavior in play.
More importantly, it gives the GM a clear image of what parts of the scenario the players have actually figured out, which bits have them stumped, and where they have drawn entirely the wrong conclusions. It helps the GM nearly as much as it helps the players, because it brings to your attention the parts of your mystery where you're being too successful with your plotline obfuscation. Sometimes, you hear the players talking about some random photo tacked to the Adversary Map and it brings to your attention a red-herring you didn't even mean to drag across their path. Armed with that knowledge, you know which plotpoints still need associated clues or thematic reinforcement, and can figure out how to rearrange things behind the scenes to improve your game.
I tend to enjoy running complicated and mysterious plotlines, and fully-fleshed sand-box settings with lots of nuance and considerable PC freedom. When a GM does that, though, you always run the risk that players will feel overwhelmed, or get mired in the detail. The Adversary Map generates a big-picture view so you've always got some common ground to start from. It also keeps people from focusing in on one small subset of the plot or setting to the exclusion of all else, because they get a subtle weekly reminder that there's a lot more out there on the edges that they haven't explored yet. Should the players get stuck anyway, it's an easy thing for the GM to point at two or three different pins or photos and say "if you start shaking the clue tree in one of these spots, I guarantee you something interesting will fall out". That's a little heavy handed, so I wouldn't do it unless they'd really hit a wall, but it's nice to know that you've got that option hanging on the wall to refocus them if the PCs are feeling lost or caught up in analysis paralysis. I love this this mechanic. It's both an immersive tool and a safety net for when I get too clever for my own (or my players) good.
It's not just a prop, it's also a mechanical reward. At the start of every Night's Black Agents mission the PCs get bonus points (that can be spent to improve die rolls) based on the connections they have successfully drawn between the mission's target and various other assets and locations in play. This is genius.
For one thing, it perfectly captures the feel of the genre. The PCs are basically trying to identify and pick-apart a giant conspiracy, and this provides some truly excellent immersion into that mindset. Having used this now in multiple campaigns, I can't imagine running a "detective genre" game ever again without using it.
Along with that oh-so-tasty immersion in the setting, it also helps the players visualize what they are up against. The existence of this player-built map forces the PCs to have an ongoing dialog about the clues they've gathered and the avenues of investigation still open to them. It's a mystery game, so you want the players to take it seriously and try to figure out the big picture. The Adversary Map provides a guiding structure for those efforts, and it's damn awesome that the game rewards that good behavior in play.
More importantly, it gives the GM a clear image of what parts of the scenario the players have actually figured out, which bits have them stumped, and where they have drawn entirely the wrong conclusions. It helps the GM nearly as much as it helps the players, because it brings to your attention the parts of your mystery where you're being too successful with your plotline obfuscation. Sometimes, you hear the players talking about some random photo tacked to the Adversary Map and it brings to your attention a red-herring you didn't even mean to drag across their path. Armed with that knowledge, you know which plotpoints still need associated clues or thematic reinforcement, and can figure out how to rearrange things behind the scenes to improve your game.
I tend to enjoy running complicated and mysterious plotlines, and fully-fleshed sand-box settings with lots of nuance and considerable PC freedom. When a GM does that, though, you always run the risk that players will feel overwhelmed, or get mired in the detail. The Adversary Map generates a big-picture view so you've always got some common ground to start from. It also keeps people from focusing in on one small subset of the plot or setting to the exclusion of all else, because they get a subtle weekly reminder that there's a lot more out there on the edges that they haven't explored yet. Should the players get stuck anyway, it's an easy thing for the GM to point at two or three different pins or photos and say "if you start shaking the clue tree in one of these spots, I guarantee you something interesting will fall out". That's a little heavy handed, so I wouldn't do it unless they'd really hit a wall, but it's nice to know that you've got that option hanging on the wall to refocus them if the PCs are feeling lost or caught up in analysis paralysis. I love this this mechanic. It's both an immersive tool and a safety net for when I get too clever for my own (or my players) good.
Friday, July 25, 2014
Old-School Conspiracy-Mapping with Night's Black Agents
I think I need a bigger corkboard. Here's what my Night's Black Agents PCs have uncovered of the conspiracy as of session 3 (and that third session was only about 2 hours of play). Mostly stolen from The Zalozhniy Sanction: Russian mafiya in the top and left, undead in the the middle and creepy locations below that, plus a subplot or two over on the right. NBA's mechanics actually give the PCs bonus points for every piece of string linking people or places.
When non-gamer visitors come over they see that wall and immediately start asking if I'm investigating a murder. (Note to the surveillance team in the white van that's always down the street: It's all just a game. I promise.)
When non-gamer visitors come over they see that wall and immediately start asking if I'm investigating a murder. (Note to the surveillance team in the white van that's always down the street: It's all just a game. I promise.)
Labels:
Adversary Maps,
GUMSHOE,
Mystery Plotlines,
Night's Black Agents,
props,
RPGs
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